|
Clarence Barlow
He was born in 1945 into Calcutta's English-speaking minority.
His first compositions date from 1957.
Obtaining a science degree in 1965, he moved in 1968 to Cologne, where he
studied electronic music and composition at the Music Academy with Eimert,
Zimmermann and Stockhausen until 1973.
Since 1969 he has worked in electronic studios in Cologne, Utrecht,
Stockholm, Paris, Amsterdam and The Hague.
His use of a computer as a compositional aid dates from 1971.
He was appointed lecturer for Computer Music at Cologne Music Academy in
1984.
In 1986 he was instrumental in founding GIMIK:
Initiative Music and Informatics Cologne, which under his musical
directorship organised the XIVth International Computer Music Conference
in Cologne in 1988.
From 1990-94 he was Artistic Director of the Institute of Sonology at the
Royal Conservatory in The Hague, where he is now Professor of Composition
and Sonology.
He lives in Amsterdam and Cologne.
|
|
Nobuyasy Sakonda
Musician. Major installation works "water machine" and "tango mechano for
incubator". There have been numerous solo performances and collaborations with
other musicians. A member of "neumannpiano" with Masayuki Akamatsu and they
published "Magical Max Tour", the 1st book entirely devoted to Max. Organizer
of Max discussion forum "Commu Telepresence Lab" on Computer Music BBS. He has
been appearing in a series " Starting Audio Programming with MSP" on Sound
Recording Magazine. Collaboration CD "Max Variety Show" and solo CD
"clockwork hermes".etc. @Now lives in Kobe.
|
|
Masatsune Yoshio
Personal: Born in Kobe. Composer, Media master No.75. Lectureship at Showa Acadima Musicae College.
Education: BA, Composition 1999 Showa Academia Musicae College. Multimedia Certificate, IAMAS 2001.
Works:
"2 hands + a for Piano" (Composition for piano and laptop computer) January, 1999 Aprico Hall, Tokyo.
"C_ Musical Offering" (Composition for flute and computer.Real-time signal processing and ensemble algorithm-composition) December, 1999 Suntory Hall, Tokyo.
"sika no toune 2" for piano and computer (Real-time signal processing and analyzed "sika no toune" for Shakuhachi) February , 2001 softpia Japan , Gifu.
Other works: "kokyou" for animation, Edited by Ma chao.
"minamo no tsuki" for puppet animation , Edited by Katsumi Iwata and Yasunori Ikeda.
|
|
Suguru Goto
He has been composing numerous interactive compositions since 1991. Heused Max/FTS with ISPW on NeXT computer in his compositions. His worksare lately constructed on MSP in conjunctionwith his Virtual Musical Instruments and interactive video.He has received numerous prizes and fellows in his compositions.
|
|
Masahiro Miwa
Born in 1958, in Tokyo, he has mainly been composing in the fieldof contemporary music, as well as collaborating with various artists.His works have been recorded in his CDs "Rotkappchen-Begleiter" (Fontec)and "GesSnge des Ostens" (Fontec). His book, "The Music Theory of theComputer Age" was published with Justsystem, Inc. He also published hisindependent production CD series, "Ascending Music for the End of theCentury". He has been active in a variety of fields.
http://www.miwa.to/
|
|
Masayuki Akamatsu
He has principally produced media works concerning music and computer. He is especially interested in building environments, as if thework itself is active, but independent, even though it is interactive. Heis a member of the algorithmic band "neumannpiano", the digital-analog hybridband "Wolfgang Nai", and the pure electric band "gaspillage". He also worksas a systems operator, "commu tele-presence lab." in BBS. His main worksare sound installations; "soundtronics field", the live act "ManMade series"and lately "incubator" with 50 iMacs. His book "Magical Max Tour" hasbeen published.
http://www.iamas.ac.jp/~aka/
|
|
